The Pin Up Database
Mia works for an IT department. She has two boys and one English bull dog. Her hobbies include time with her boyfriend and a lot sand volleyball.
Miss JessI Monique is a social butterfly. Pat of Modern Day Pin Ups, Aviation Angels, and South Florida Luscious Ladies, she loves to attend events and mingle with others who share her interests and love for all that is retro.
Katrina laplant. A photographer and modern day pinup with an old soul. She fell in love with the style when she was young through old photographs and films. Her passion for it increased after meeting her husband and sharing their love of old music, rat rods, and vintage cars. She has passion for the years gone by and a desire to keep them alive through photographs and inspiring others.
From Cuba, age 31, work as a bartender in Havana in bar melodrama, love books and music, and of course everything that smells vintage.
Hi, I'm Mandy Von Munster mother of twins and small business owner of Panda's Mask. I am also a proud member of Pinups with Faith. I'm a body positive believer, because pinups come in all shapes, sizes, and colors. I'm a little bit classic pinup and a little bit gothabilly.
Pinup style and culture fascinated me for many years before I became brave enough to dive in, and now I’m so grateful I did. Additionally, modeling has opened up a new avenue of creativity to explore as an artist. I love crafting looks, sewing and altering clothes, playing with trying to perfect new makeup looks, and collaborating with other inspiring creatives.
Miss Ruby Red is a fierce, fiery beauty who has a passion for getting her passport stamped and all things adventurous. In her world travels, she has swum with sharks in the Caribbean, hopped with kangaroos in Australia, herded sheep in Ireland, cuddled rabbits on their own island in Japan, and battled psychotic pigeons in Italy. She is a no-nonsense intellect by day and a glamour starlet by night. She has the body type of Marilyn Monroe, the style of Rita Hayworth and the drive of Lucille Ball. Don’t let her opulent style fool you; she is a quick-witted conversationalist of exceptional intelligence. She is known for her tall, voluptuous, ever fun-to-handle, curvy figure and her never-ending quest for knowledge.
Her friends would tell you she’s a brainiac who excites easily and loves to energetically discuss almost anything…clothes, red lipstick, football, and home renovation are a few of her favorite topics. She loves cars with sexy rear ends with her favorite being a candy apple red 1957 Chevy Bel Air. Her style and grace come from her Mama who was an original 1950s pin-up starlet. Most importantly, coffee is her life force and hot Krispy Kreme doughnuts make her downright giddy.
Miss Ruby Red is the President of the North Florida Chapter of the International Pinup Group, The Luscious Ladies. The North Florida Luscious Ladies is one of the largest LL chapters who are an entrepreneurial crew of ladies who integrate a vintage lifestyle within our home and careers. She enjoys volunteering in her community with her pin-up sisters to spread awareness and joy of those who appreciate vintage lifestyles.
myfreecams
dancer
cabaret dancer at LUCKY LADY CABARET, internet chat model for myfreecams, published Easy riders centerfold and spokesmodel, Gold avenger for superheroinecentral.com, catfightcentral.com, always looking for cool photographers to shoot with...
A lover of all things glam. About a year and a half ago I was introduced to this incredible world through my hair and makeup craft. With over 12 years in the beauty industry, I’ve worked with multiple designers, celebrities, and my work has been published both internationally and domestic, In addition I have a bridal team in multiple cities. My story with Pinup started when I partnered with Glitter Glam Studios for a session and we quickly became her official hair and makeup team. It’s been an incredible journey, with multiple magazine spreads and cover, fulfilling a dream to become a model. Fully immersed, I now have a Retro hair and makeup team with goals to keep expanding and become the go to glam at all pinup events, we have had the honor to work with published pinups and our work can be seen in Retro Lovely, Modern Day PinUp, Bombshell, Holidays, NYLON, and so much more.
Born
Ava Lavinia Gardner
December 24, 1922
Grabtown, North Carolina, U.S.
Died
January 25, 1990 (aged 67)
Westminster, London, England
Resting place
Sunset Memorial Park, Smithfield, North Carolina, U.S.
Nationality
American
Education
Rock Ridge High School
Alma mater
Atlantic Christian College
Occupation
Actress
singer
Years active
1941–1986
Height
5 ft 5 3⁄4 in (167 cm)
Spouse(s)
Mickey Rooney
(m. 1942; div. 1943)
Artie Shaw
(m. 1945; div. 1946)
Frank Sinatra
(m. 1951; div. 1957)
Website
avagardner.com
Ava Lavinia Gardner (December 24, 1922 – January 25, 1990) was an American actress and singer. Gardner was signed to a contract with Metro-Goldwyn-Mayer in 1941, and appeared mainly in small roles until she drew attention with her performance in The Killers (1946). She was nominated for the Oscar for Best Actress for her work in Mogambo (1953), and also received BAFTA Award and Golden Globe Award nominations for other films.
Gardner appeared in several high-profile films from the 1940s to 1970s, including The Hucksters (1947), Show Boat (1951), Pandora and the Flying Dutchman (1951), The Snows of Kilimanjaro (1952), The Barefoot Contessa (1954), Bhowani Junction (1956), On the Beach (1959), 55 Days at Peking (1963), Seven Days in May (1964), The Night of the Iguana (1964), The Bible: In the Beginning... (1966), Mayerling (1968), Tam-Lin (1970), The Life and Times of Judge Roy Bean (1972), Earthquake (1974), and The Cassandra Crossing (1976). Gardner continued to act regularly until 1986, four years before her death in London in 1990, at the age of 67.
She is listed 25th among the American Film Institute's 25 Greatest Female Stars of Classic Hollywood Cinema.[1] Career[edit] 1941[edit]
Gardner in 1947
Gardner was visiting her sister Beatrice in New York in 1941, when Beatrice's husband Larry Tarr, a professional photographer, offered to take her portrait. He was so pleased with the results that he displayed the finished product in the front window of his Tarr Photography Studio on Fifth Avenue.[6]
A Loews Theatres legal clerk, Barnard Duhan, spotted Gardner's photo in Tarr's studio. At the time, Duhan often posed as an MGM talent scout to meet girls, using the fact that MGM was a subsidiary of Loews. Duhan entered Tarr's and tried to get Gardner's number, but was rebuffed by the receptionist. Duhan made the comment, "Somebody should send her info to MGM", and the Tarrs did so immediately. Shortly after, Gardner, who at the time was a student at Atlantic Christian College, traveled to New York to be interviewed at MGM's New York office by Al Altman, head of MGM's New York talent department. With cameras rolling, he directed the 18-year-old to walk towards the camera, turn and walk away, then rearrange some flowers in a vase. He did not attempt to record her voice because her Southern accent made understanding her difficult for him. Louis B. Mayer, head of the studio, however, sent a telegram to Altman: "She can't sing, she can't act, she can't talk, she's terrific!"[6] She was offered a standard contract by MGM, and left school for Hollywood in 1941, with her sister Beatrice accompanying her. MGM's first order of business was to provide her with a speech coach, as her Carolina drawl was nearly incomprehensible to them.[7] 1942–1964[edit] Her first appearance in a feature film was as a walk on in the Norma Shearer vehicle We Were Dancing (1942). Fifteen bit parts later she received her first screen billing in Three Men in White (1944), a Dr. Kildare film in which she brings her mother to the hospital for treatment. After five years of bit parts, mostly at MGM, and many of them uncredited, Gardner came to prominence in the Mark Hellinger-produced smash-hit film noir The Killers (1946), playing the femme fatale Kitty Collins.
Gardner in The Killers (1946)
Gardner in "My Forbidden Past" (1951)
Gardner in Mogambo (1953)
Other films include The Hucksters (1947), Show Boat (1951), The Snows of Kilimanjaro (1952), Lone Star (1952), Mogambo (1953), The Barefoot Contessa (1954), Bhowani Junction (1956), The Sun Also Rises (1957), and On the Beach (1959). In The Barefoot Contessa, she played the role of doomed beauty Maria Vargas, a fiercely independent woman who goes from Spanish dancer to international film star with the help of a Hollywood director played by Humphrey Bogart, with tragic consequences.
Gardner at the premiere of The Barefoot Contessa in 1954
Gardner starred as Guinevere in Knights of the Round Table (1953), opposite actor Robert Taylor as Sir Lancelot. Indicative of her sophistication, she portrayed a duchess, a baroness, and other ladies of royal lineage in her films of the 1950s.
Off-camera, she could be witty and pithy, as in her assessment of director John Ford, who directed Mogambo ("The meanest man on earth. Thoroughly evil. Adored him!").[8]
She was billed between Charlton Heston and David Niven for 55 Days at Peking (1963), which was set in China during the Boxer Rebellion in 1900. The following year, she played her last major leading role in a critically acclaimed film, The Night of the Iguana (1964), based upon a Tennessee Williams play, and starring Richard Burton as an atheist clergyman and Deborah Kerr as a gentle artist traveling with her aged poet grandfather. John Huston directed the movie in Puerto Vallarta, Mexico, insisting on making the film in black and white – a decision he later regretted because of the vivid colors of the flora. Gardner received billing below Burton, but above Kerr. She was nominated for a BAFTA and a Golden Globe Award for her performance.
She next appeared again with Burt Lancaster, her co-star from The Killers, this time along with Kirk Douglas and Fredric March, in Seven Days in May (1964), a thriller about an attempted military takeover of the US government. Gardner played a former love interest of Lancaster's who could have been instrumental in Douglas's preventing a coup against the President of the United States.
1965–1986[edit]
John Huston chose Gardner for the part of Sarah, the wife of Abraham (played by George C. Scott), in the Dino De Laurentiis film The Bible: In the Beginning..., which was released in 1966.[9] In a 1964 interview, she talked about why she accepted the role:
He [Huston] had more faith in me than I did myself. Now I'm glad I listened, for it is a challenging role and a very demanding one. I start out as a young wife, and age through various periods, forcing me to adjust psychologically to each age. It is a complete departure for me, and most intriguing. In this role, I must create a character, not just play one.[9]
Two years later, in 1966, Gardner briefly sought the role of Mrs. Robinson in Mike Nichols' The Graduate (1967). She reportedly called Nichols and said, "I want to see you! I want to talk about this Graduate thing!" Nichols never seriously considered her for the part, preferring to cast a younger woman (Anne Bancroft was 35, while Gardner was 44), but he did visit her hotel, where he later recounted, "she sat at a little French desk with a telephone, she went through every movie star cliché. She said, 'All right, let's talk about your movie. First of all, I strip for nobody.'"[10]
Gardner moved to London in 1968, undergoing an elective hysterectomy to allay her worries of contracting the uterine cancer that had claimed the life of her mother. That year, she appeared in Mayerling, in which she played the supporting role of Austrian Empress Elisabeth of Austria, opposite James Mason as Emperor Franz Joseph I.
She appeared in a number of disaster films throughout the 1970s, notably Earthquake (1974) with Heston, The Cassandra Crossing (1976) with Lancaster, and the Canadian movie City on Fire (1979). She appeared briefly as Lillie Langtry at the end of The Life and Times of Judge Roy Bean (1972), and in The Blue Bird (1976). Her last movie was Regina Roma (1982). In the 1980s, she acted primarily on television, including the miniseries remake of The Long, Hot Summer and in a story arc on Knots Landing (both 1985).
